The rival poet enters the scene to stir things up with the narrator’s fair lord. How would you characterize the poet’s reaction to the thought of losing his fair lord to another?

A: A close analysis of the text on hand is crucial for this essay. The student should pick a reaction – jealousy, perhaps, or disdain – and support it with specific textual evidence. Perhaps the reaction suggests a broader emotion or mentality: pride (wounded in this case), greed (thwarted), helplessness…

Choose one of the three recurring characters in the sonnets – the fair lord, the rival poet, or the dark lady – and argue the case for his or her real-world identity. Adopt a candidate who has already been proposed, assessing the evidence for yourself – or posit a new possibility.

A: This question demands careful historical research, coupled with close literary analysis. Techniques of comparative literature will come in handy; for example, when weighing the validity of the Christopher Marlowe claim, it behooves the student to not only study Marlowe’s life and place in history, but his work as well – and the ways in which Shakespeare’s writing might draw from, comment on, or question his.

Choose one of the three recurring characters in the sonnets – the fair lord, the rival poet, or the dark lady – and argue the case for his or her real-world identity. Adopt a candidate who has already been proposed, assessing the evidence for yourself – or posit a new possibility.

A: This question demands careful historical research, coupled with close literary analysis. Techniques of comparative literature will come in handy; for example, when weighing the validity of the Christopher Marlowe claim, it behooves the student to not only study Marlowe’s life and place in history, but his work as well – and the ways in which Shakespeare’s writing might draw from, comment on, or question his.

Modern scholarship divides the sonnets into two main groups: the fair lord sonnets (1-126) and the dark lady sonnets (127-154). Do you agree with this division?

A: An answer to this question may wish to focus on the fair lord sonnets, as they offer more room for creativity. It is also worth questioning whether any subdivisions might be identified within the aforementioned divisions? Finally, what do these sorts of divisions mean for the scholar? Do they simplify too much, or are they useful tools for analysis?

Past and Present Essay 2

Length: 1,800-2,000 words (6-7 pages)

OBJECTIVE

The goal of this assignment is to create an original piece of writing that analyzes and explains the historical context of Chinas current environmental predicaments. In other words, the essay should relate research on Chinas environmental history to present-day environmental concerns. PLEASE READ THE FOLLOWING DIRECTIONS CAREFULLY!

RESEARCH

In addition to a least one news article published since 2016, your Past and Present Essay needs to draw upon the lectures, films, and required readings.

You also need to refer to at least two titles from the suggested readings listed in the syllabus that are related to the topic you decide to write about.

STRUCTURE

Your essay needs to include:

1) A title that captures the topic and main point of your essay. [5 points]

2) An introduction that explains the purpose of the essay and the main issues to be addressed. [10 points]

3) A specific, clear, and argumentative thesis statement in the introduction that explains what you intend to argue in the essay. [10 points]

4) Sections that address the key issues and include accurate, specific evidence, correct citations, and analysis to support your thesis statement. Each section should have its own topic heading.  [15 points]

5) Reference to at least one news article. [10]

6) References to at least two suggested readings. [10]

7) References to relevant lectures, assigned readings, and movies. [10]

8) Clear, grammatical, and accessible writing. [10 points]

9) Cogent and logical organization and structure. [10 points]

10) An effective conclusion that summarizes the reports findings and their significance. [10 points]

[Total: 100 points]

CITATIONS

All your references should adhere to the American Historical Review (AHR) citation style. The footnote style used by the AHR generally follows conventions recommended by The Chicago Manual of Style. You do not need to include a bibliography.

      Placement of Notes. A footnote number should come at the end of a sentence or at least at the end of a clause wherever possible. Footnote numbers always follow quoted or cited material; they should not be placed after authors’ names or other references preceding the cited matter.
      Citing Books. The first citation of a book should take the following format:
Gerhard L. Weinberg, A World at Arms: A Global History of World War II (Cambridge, 1994).

Subsequent citations should take the following format: Weinberg, A World at Arms, 132-33.

Note that only the last name of the author is provided in a subsequent reference, along with a shortened version of the title. The publication information is not repeated. The short title should use words in sequence from the main title only.

      Citing Book Chapters/Sections. A book chapter, essay, or book section should take the following format:
John H. Hanson, Islam and African Societies, in Phyllis M. Martin and Patrick O’Meara, eds., Africa, 3rd ed. (Bloomington, Ind., 1995), 97-114.

Subsequent citations should take the following format:

Hanson, Islam and African Societies, 98.

      Citing Class Lectures. If you are citing a class lecture, include your professor’s name, title of the lecture in quotation marks, the course number and name and the location and date.
Allen Seager, “Women and the Church in New France,” History 204: The Social History of Canada (class lecture, Simon Fraser University, Burnaby, BC, January 2011).

If you have any questions about how to cite specific types of sources, you can find the answer using the following citation guide.

https://www.chicagomanualofstyle.org/tools_citationguide/citation-guide-1.html

FORMATING

Please double-space your written assignment, use a standard 12 point font such as Arial or Times New Roman (i.e. not Comic Sans), and submit it on Canvas as a Word document.

You have to write a summary for EACH below.

– Nationalism
–  Our America by Jos Mart
– Education and the Mexican Revolution Octavio Paz
– Mestizo Pride Gilberto Freyre
– Plan for the Realization of Bolvars Supreme Dream Augusto Sandino
– The Shark and the Sardines Juan Jos Arvalo
– Carmen Miranda and Brasilidade Darin J. Davis
– Populism
– The Peronist Political Vision Daniel James
– Doa Mara Remembers Pern Mara Roldn
– The First Ladys Peronist Feminism Eva Pern
– Women and Action
– Father of the Poor? Robert M. Levine
– Cardenismo and Womens Organizing Jocelyn Olcott
– Trujillo, the Benefactor Lauren Derby
– The Cold War
–  Statements of U.S. Foreign Policy Doctrine Presidents James Monroe, Theodore Roosevelt, and Harry Truman
– The Lesser of Two Evils David F. Schmitz

Each summary should be ONE sentence with 50 words. So it is intended to be a very long sentence that sort of forces you to connect the ideas of the reading.

Mexico entered  the  lost  decade  of  the  1980s  with  its  economy  in  shambles  and  its  political  consensus  under increasing pressure.  The crisis would continue through the 1990s and even up to the present day.  What economic  challenges  did  Mexico  face after  1982  and  how  did  the  state  attempt  to  deal  with  them?    What  political difficulties confronted the  one-party  system  under  the  PRI?    How  would  the  state address  the  major social problems (e.g., crime, drugs, migration, etc.) that Mexico would experience?  Did the Revolution end with the fall of the perfect dictatorship in 2000 as some have claimed or does it still remain alive (explain)?

Reference to a reading can be made by using the authors last name (e.g., Sackett shows . . .) no page citations or works cited page are required.

it’s going to be an application for my honor thesis, my topic is “Through Alice in borderland: difference between western and oriental thriller”, it is going to be a research based thesis with a supplement video if applicable. the reason i chose it its because i am asian and am studying western films, so i wish to learn the difference between the two both culturally and aesthetically. and for the extension of my current course work just say something like learning about alfred hitchcock I am more interested in suspense and thriller films, also learning about american tv and film history made me more interested in research into asian medias and how those two relates with each other, how does western culture effect asian media and vice versa. and for the A preliminary bibliography and/or filmography for the project, do some research and list around 5-6 sources includes both papers and films/tv shows. (i’ll write question 4,5,6 so don’t worry about those.)

(1) Select the article provided by me.
(2) Identify features of APA format that catch your attention. (Note: The article , and the textbook should enable you to identify outstanding characteristics of APA format.)
(3) Describe the research hypothesis (or hypotheses) relevant to this article. (4-7 sentences)
(4) Describe the research design. ( couple of paragraphs)
(5) Describe the methodology in 750 words.
(6) List each of the types of (descriptive and inferential) statistics they used to analyze the data. (The list could be short or long.)
(7) Relate the research to one of more topics discussed in the reading. (750 words)
(8) Include a reference section even if there only is one citation. (Speaks for itself)