Reflect on. the film: Amores Perros (2000)

You will exercise these skills in written form, in a paper that
does two things: Reveals what a movie is about (its theme)
and shows how you know that to be so (its techniques).

You could think of theme as the lesson the writer hopes to communicate to the audience. A theme is not a single word, like violence or family. Instead, a theme is a fully-formed idea, expressed as a sentence.

In your opening paragraph, make a claim about what you
believe the theme to be. The body of your paper will then be
a discussion of how the filmmaker uses techniques such as
design, camera, dialogue, lighting, music, etc., to create scenes that connect to this theme.

MLA format, 2 full
pages of text, with a
separate MLA Works
Cited page with the
subject film properly
cited.

Use link: https://artsandculture.google.com/asset/winter-landscape-edward-willis-redfield/RgETZVRkn65Qcw?hl=en

Identification: Select a work of art. You may select a piece that you like or dislike. Get all the information provided: artist, title, medium, year, etc. Write down your initial responses. How do you respond to the work? Does it invoke an emotional response? What do you think the artist was trying to communicate? It is helpful to bring a notebook to record your responses.
Describe the piece and review it carefully. What do you see? Note all the details about the work. How would you describe it to someone you were talking to on the phone who cant see it?
Analyze the visual elements and design principles, thinking about the relationship between form, content, and subject matter. This will be helpful in your ‘interpretation’ of the work. Consider context: does it fit into a movement or time period? Consider its place in the artists overall output.
Interpretation Follow your analysis with a subjective interpretation of the meaning of the work. How does the work make you feel? What do you think the content is? Go beyond I like it or I dont like it.
Research the artist. Historical and biographical information on the artist often provides clues into a work’s intended meaning. Carefully consider the purpose and context of the piece. Did the piece you selected have any particular political or cultural message? Was the artist making a statement?
Evaluate What do you think the artist’s intentions were? Was this communicated? Does it have value? Can you recognize the aesthetic quality in the work?
Format Requirements
The paper must be 1500 words, double-spaced, 10- or 12-point type, with 1 margins. The title page, images, and reference/bibliography page do not count toward the required length of paper. The preferred format to complete the Final Paper is Microsoft Word (.doc or .docx). If these formats are not available, other acceptable formats are ASCII (.txt), rich text format (.rtf), and Open Office (.odt), and PDF. Make sure you proofread your papers for incorrect grammar, spelling, punctuation, and other errors.
A minimum of four sources is required. Research can come from the Internet (reputable, academic sources only) scholarly articles (JSTOR, for example), books on art history, politics, etc.. Sources should be varied and academic and/or professional in nature. Your textbook cannot be one of the four minimum sources but can be included.
Anything that is not considered common knowledge (information that can be found in at least 4 sources) should be cited. This includes opinions, judgments, little-known facts, and direct quotes. In-text citations (APA) or footnotes and endnotes (CMS) are used to give credit to sources of any material or scholarship borrowed, summarized, or paraphrased. They are intended to refer readers to the exact pages of the works listed in the Reference or Bibliography section.

1. Double spaced typed paper required (12 font)
2. 1000 words minimum required plus cover page
3. Very few or no grammatical errors

research paper content
Important biographical information Early life
Education
Career
Important works/contributions/awards/
Description of their music and or how their music and musical expression was shaped by
their experiences
Investigate perhaps the socio-cultural and political forces at work in their music and musical
expression.
The artists philosophy
The big idea

This module examines copyright law and public domain as it pertains to music education. As a music educator, you are expected to maintain a basic understanding of copyright and will be held accountable for this information. The following links and handouts are designed to provide you with said knowledge. To complete this module: 1) Please place a copy of the items (websites and handout) into your notebook as a future resource; 2) complete the assignment as outlined below to demonstrate that you understand Copyright Law. I would strongly encourage you to also peruse the NAfME Copyright Website at https://nafme.org/my-classroom/copyright/.

1) Read the material provided for you on the websites below.

https://nafme.org/my-classroom/copyright/copyright-law-what-music-teachers-need-to-know/
https://nafme.org/wp-content/uploads/2020/09/TEACH-Act-Summary-and-FAQ-September-2020.pdf
https://nafme.org/my-classroom/copyright/got-permission-to-upload-that-video/
http://fairuse.stanford.edu/overview/public-domain/welcome/
2) Read the NAfME handouts and Chapter from Jagow’s text, which are attached to this module.

3) In 2 pages, address the following:

Briefly describe three instances in which music educators tend to make copies of music-related material. Then discuss how each of these instances  potentially breaks Copyright Law and suggest how you, as a future teacher, could avoid said infringements. In your suggestions, please cite the Copyright Law(s) being discussed.
Briefly discuss how technology has introduced new challenges regarding copyright law, and how you might navigate those challenges.
Describe what public domain is and offer two or more suggestions as to how public domain laws help music educators.
Offer some concluding thoughts that synthesize the information learned in this assignment.

Project Preparation Instructions

1. Draft two possible thesis statements that address the project prompt. (Please see the document entitled How to Write a Thesis Statement in this module for tips.)

2. Identify three time periods that you could use to argue the thesis statements. The time periods you select should cover a large span of time to allow for comparisons that illustrate changes in the status and role of the artist. For example: Renaissance, Neoclassical, Realism
Youll have to look ahead beyond what weve covered in class.

3. Identify two artworks from each time period that will provide detailed evidence of your argument.
Include the artwork title, artist name, date made, media (i.e., oil on canvas, bronze sculpture, etc).
Write three bullet points about each artwork to describe how they will support your thesis.

EXAMPLE Initial Response Post:

1. Thesis statement one

2. Thesis statement two

***The thesis statements do not have to be drastically different, they can be supported by the same selection of time periods and artworks.***

Name Time Period One
Name Artwork One.

Bullet 1 (not a paragraph, simply a bullet to state how the artwork will support the thesis)

Bullet 2

Bullet 3

Name Artwork Two. 

Bullet 1 (not a paragraph, simply a bullet to state how the artwork will support the thesis)

Bullet 2

Bullet 3

Name Time Period Two
Name Artwork One.

Bullet 1 (not a paragraph, simply a bullet to state how the artwork will support the thesis)

Bullet 2

Bullet 3

Name Artwork Two. 

Bullet 1 (not a paragraph, simply a bullet to state how the artwork will support the thesis)

Bullet 2

Bullet 3

Name Time Period Three
Name Artwork One.

Bullet 1 (not a paragraph, simply a bullet to state how the artwork will support the thesis)

Bullet 2

Bullet 3

Name Artwork Two. 

Bullet 1 (not a paragraph, simply a bullet to state how the artwork will support the thesis)

Bullet 2

Bullet 3

Description
Film portfolio part 1: an abstract and annotated bibliography

The proposal-an abstract and annotated bibliography–provides the opportunity for students to propose what you plan to do in the film project: contextualize the study, provide the key argument, outline cinematic materials you plan to incorporate in the final project, and emphasize the significance of the study.

Instructions
In your film project report, you are required to do a comparative work on at least two films discussed in class. The purpose of the abstract and annotated bibliography is to motivate you to think about your final paper topic and your selections of films.

In this assignment, you will give a 200-300-word abstract, describing your topic in the film projectyour argument, why the two or more films under discussion are comparable, primary and secondary materials, and your speculative conclusion. The abstract will be followed by a list of bibliography your final paper will engage with. At least two academic sources will be included in the bibliography. Each annotated entry needs to have no less than 100 words, describing the key argument/idea in the academic source and how it is relevant to your paper (how you are going to use it in your paper).

I suggest you start from a vague idea (you may draw inspiration from your sequence paper) and begin to collect relevant academic sources; after you finish the annotation of bibliography, you will have a better idea on the scholarship you will engage with and the significance of your paper. From there, you can start to draft your abstract.

Abstract writing involves reading a large amount of information (both textual and visual information in the context of this course), synthesizing it and then representing in an abstract and digestible way. A good abstract can:

Sell your work;
Draw readers attention and persuade them to read the full article.
An abstract should consist of the following components:

Why it is important (significance)
Why the two films are comparable? (justification on comparability)
What is your argument/thesis statement? (question)
How are you going to approach the question? (methodology)
What is the answer and/or implications? (conclusion)

One brief example of an abstract is given below for your reference (you need to expand based on your specific argument and questions):

Women are widely used as a trope in the history of Chinese cinema, exemplified in ____ and ____  (frame your paper into an overarching significance, and state why the two films are comparable)

In this paper, I aim to examine how the image of women has been incorporated and appropriated into the grand historical discourse of the nation and history by comparing the female figures in ______ (film 1) and ____ (film 2); (question/thesis). To be specific, I will look at how the female figures become the symbol of the suffering nation by examining the lighting, mise-en-scene, the the camera angles in the two films under discussion and the scholarship of femininity and nationalism (methodology), I argue that womens body becomes a powerful trope imbricated into the discourse of national struggle and humiliation… (argument). By comparing ____and ____, I conclude that the women’s image have played an important role in constructing a the suffering of the nation. (conclusion).

Assessment Criteria
Abstract6 points (your abstract will be graded based on how complete you have included the components of an abstract, and how clear and persuasive your abstract writing is.)

Annotated bibliography4 points (2 for each entry)

Late policy: late submissions will be assessed a 10% deduction at each 24-hour period after the due date. Paper submitted three days later will not be accepted and graded.

Pick one scene that impressed you most from the film. Explain how and why that particular scene is impressive to you. Refer to the assigned reading and think about how your argument is related to it. Include the image(s) from the scene in your journal. The expression of your paper needs to be clear (correct grammar; clear meanings of words). Your argument needs to have a structure (introduction, explanation, conclusion)

In addition, separately from your argument on a scene, write down the keyword from the lecture, which the instructor gives, in your response paper. Also, briefly explain the reason why that is the keyword of the sequence in one sentence.(The keyword is XXX because ….) The reason should be clear by thelecture. You do not need to repeat exactly what the instructor says. Use your own words to explain.

Keyword is: Rebel

Film: Giants and Toys (Kyojin to gangu, Masumura Yasuzo, 1958)

Readings: Michael Raine, Modernization without Modernity: Masumura Yasuzos Giants and Toys(1958), in Japanese Cinema: Texts and Contexts, eds., Alastair Phillips and Julian Stringer (London: Routledge, 2007), 152-167.

https://analepsis.files.wordpress.com/2011/08/japanesecinema.pdf

Keyword is: Rebel

Also, I need 1 image from the scene in the journal.

Originality (your own ideaabout why and how the scene is impressive) is important

I uploaded the reading, please use it and cite it.

Please answer the questions below in a single space, 12 pt Times Roman font with 1- inch margins. You will be evaluated on how well you can draw on the readings in your answers. You can paraphrase the readings and use direct quotes, but you will need to explain the meaning of the quotes and how they support your answer. Every quote you use must be explained and tied into your answer. You must correctly define and use all concepts, draw on the readings explicitly and correctly, rely on the reading, not the lecture notes for answers, and provide specific examples from films to support your answer. Must have access to watch the following films.

1. Use your readings to name two (2) ways in which vampires subvert traditional patriarchal structure. Give a specific example from the film “The Interview with the Vampire” for each. (15pts)

2. What is the relationship between vampire representation in film and disease? Use your readings and give a specific example from the film “The Interview with the Vampire”. (10pts)

3. Who are the monsters in the film “28 Days Later”? Why? (5pts)

4. Use the readings to explain how Coleman defines horror noire. (5pts)

5. Use the readings to explain how the film “Candyman” represents monstrous heterosexuality? How does monstrous heterosexuality and Blackness relate to white femininity in the movie? Please give a specific example for each part of the question. (10pts)

The essay topic that involves the second temple is: The Second Temple of Jerusalem, Judea, destroyed by the army of General Titus in 70 AD: Several three-dimensional models have been made to reconstruct the lost temple. In an essay, consider the challenge involved in creating a facsimile of an ancient monument when nothing significant of the original survives. Investigate how models have been made based on written descriptions of the original (for instance, Josephus, The Jewish Wars). If you wish, you may compare the temple reconstruction with a contrasting example of your choice, in which digital imaging technologies are being used to create virtual reproductions of a monument that survives in part or for which visual documentation exists.

General advice: What is required for a strong essay? i) A good foundation of knowledge from research, including at least 2 of the written publications available at the onQ Essay module. Strong research sources are written by experts and they appear as: published journal articles, books and book chapters. ii) It is essential that you use correct footnotes with page numbers (when citing a paginated publication) to acknowledge your debt to what you have read in terms of specific pages, and a correct bibliography. See the Stylesheet for Footnotes and Stylesheet for Bibliography Entries at the onQ module. iii) Clear, grammatically correct writing, free from spelling and typographical errors. Follow the Tips on English Writing for Course Essays at the onQ module. For help with essay writing, book a writing appointment via SASS: https://queensu.mywconline.com/. iv) An introduction that tells the reader the subject of the essay and the approach you will be taking; in the body of the essay the inquiry should be presented in logical stages, linking one section to the next; a conclusion that summarizes what has been discovered about the subject from the discussion and analysis in the essay. v) each work of art or monument under consideration should be introduced briefly, including a short visual description of the object, and tell the reader the name of the artist or architect (if known), title, date or approximate date, location, medium, context (was it part of a larger monument originally), patron or commissioner (for whom and for where it was made, if known), location (where it is now).

As it is written in the guidelines I need an artwork.  Artwork should be new (i.e. created for the first time but we can take an idea from other artists who used art as resistance on the topic we choose to create our art). Art piece could be a series of photos, collage, painting, a piece of music, story, etc. of the issue. So the artwork should be sent to me through pictures of the artwork