this paper is an honors project
critical thinking review
12 font
time new Roman
double space with even margin text
Please follow every instruction and details for this paper
it a 7 page paper citation is not included as number of pages given
there are two files attached please revise the paper according to the corrections instructed
use both paper to revise the new final paper 

Its a critical review of the book memoirs of Bernardo Vega . A contribution of the history of the puerto Tucson community in New York . The purpose of the project is to foster a learning experience where the student gain a deep understanding of an important stage in the history of Puerto Rican migration to New York by reading a historical and autobiographical account written in first person by one privileged protagonist.

How can you manage your emotions in a conflict situation so that you remain aware of how you are communicating and listening?
When you have a conflict with someone with whom you only communicate online (instructor, another student, online customer service, etc.), how do you resolve your conflict? What is appropriate, and what is not?
When you have a conflict with someone you see face-to-face, how do you resolve your conflict? What is appropriate, and what is not?

Outline for Speech 1: Informational
Topic

Choose a topic that you are interested in and that your audience might be interested in.
Format

    This outline must be at least 3 pages long and use 12-point font.
    Use appropriate coordination and subordination. Use full sentences, including subjects and verbs for the main ideas or main points and the 1st order of subordinate ideas or sub-points. Consistently use either full-sentence or list form for 2nd -order sub-points supporting the same 1st order sub-point. Usually use list form for 3rd order, 4th order, and 5th order sub-points.
    Enhance the readability of the outline. Use only one idea per point, only one sentence per point, single-space each point, and double-space vertically between points. Leave a line of white space between each point at every level.
    Transitions between major sections and the main points should be provided in the outline (enclosed in parentheses). Use transitions to move the audiences attention from one section to another or from one main point to another.
    Use a consistent pattern of indentation. Type main points flush with the left margin. Indent 5 spaces for 1st-order sub-points, 10 spaces for 2nd-order sub-points, 15 spaces for 3rd-order sub-points, 20 spaces for 4th-order sub-points.
    Use the following system to label the points in the body:
        Main Points: upper case Roman numerals [I, II, III, IV, V]
        1st -order sub-points: upper case letters [A, B, C, D, E]
        2nd -order sub-points: Arabic numerals [1, 2.3, 4, 5]
        3rd -order sub-points: lower-case letters {a, b, c, d, e],
        4th -order sub-points: Arabic numerals in parentheses [(1), (2), (3)]

Content

Specific Purpose: Formulated into one sentence, the specific purpose identifies the precise response the speaker desires from the audience (understand). Do not use infinitive phrases, i.e., to inform or to persuade. Place the label for the specific purpose sentence flush with the left margin.

Thesis Sentence: The thesis sentence (addressed to the audience, not the instructor) summarizes everything the speaker intends to say during the speech. Place the label for the thesis sentence flush with the left margin.

The introduction should gain attention, orient the audience by stating the topic, offer a reason for listening, and preview the body of the speech. The introduction (which may be outlined or written word-for-word) is designed to

    gain the attention of the audience;
    establish the speaker’s credibility; and
    orient the audience to the body of the speech.

Do not say I will tell the story of ____, or I will do X, Y, or Z. Actually outline or write the story here in the Introduction, such as Have you ever found yourself repeating mistakes you have made before? Actually outline or write the question here.

Enclose transitions within parentheses ( ) on a line or lines separate from the rest of the outline. Transitions may link major sections OR main ideas OR subordinate ideas within the body of the speech.

The body must contain 2-5 main points using patterns of organization covered in the textbook; other patterns of organization must have prior approval by the instructor. Each main point must be well supported by 2-5 1st-order sub-points designed to illustrate the main points (examples, illustrations, facts, quotations, etc.) Don’t overload the audience with information. Move from simple to complex ideas. Move from familiar to unfamiliar ideas. Define your terms.

The body develops your ideas, condenses your thinking and research, ensuring that you have done an adequate job of preparation. The entire outline should contain more material than you have time to use in your speech and must be at least 3 pages in length [2 full + 1 partial). You must use two-five (2-5) main ideas and two-five (2-5) subordinate (sub-points) points for each main point or higher-level sub-point.

The conclusion should restate or summarize the main points and communicate a sense of finality (verbally or nonverbally indicate that you have finished talking). You may end with a story or quotation.

The conclusion (which may be outline or written word-for-word) is designed to

    provide the audience with a sense of finality,
    leave the audience in the proper mood, and
    focus the audience’s thinking on your topic.

Bibliography

The bibliography reports where you found the information for your speech. There are two general sources of information: your own personal experience and what you have learned from outside sources (reading or interviewing). You must indicate where you obtained your information. You are expected to provide at least six sources for this speech.

If some of your information came from your own experience, specify that personal experience in the bibliography. For example, I based this speech on water safety totally upon my personal experience as a lifeguard at Norms’ Resort, Cottage Lake, for the seven summers from 1959 until 1965.” Your personal experience will count as only one of six or more sources of information required.

You must include and cite properly (in APA format) at least one source from the Columbia College library database. Do not use Wikipedia as a source of information. However, if you cite electronic sources, provide enough information so that I could duplicate your search. Include at least the author or editor, title, date, publication medium, publisher, and the Universal Resource Locator (URL), which includes protocol, site, path, and file.

Great anthropological work always included taking field-notes based on daily observations. This assignment will give a short, first-hand experience in conducting your own field research by maintaining your own short-term fieldwork diary.

For this assignment, you will be creating a short, five-consecutive-day diary based on your own experiences of living during the current COVID-19 pandemic.  This assignment will be totally based on your own five days of observations, comments, thoughts, and photos.  Your diary entries will be reflections on daily photos that all revolve around the following question: What do five consecutive days during COVID-19 pandemic look and feel like to you?

Here are the details of the assignment:

Over the course of 5 consecutive days, take one photo each day that represents something meaningful for you on each particular  The photo can depict anything you like, big or small as long as it allows you to reflect on your experiences of covid-19 for that particular day.  For instance, you might take a picture of yourself working on an assignment for a class you are taking, or a picture of the supermarket you go to in order to get groceries, or the dinner you prepare, or of the masks you have to wear when venturing out. The photo you take is up to you, but you will need to somehow relate your photo back to the topic of covid-19.

Once you have taken your daily photo, please use it to write a reflection on your day as well as give details of the context in which the photo was taken. When was is taken? Where was it taken? What does it depict for you? Why did you decide to take this photo? In short, provide a brief description of why this image is meaningful to you and what it reveals about our experiences on that particular day. Please do keep in mind the overarching question (What does a day in times of COVID-19 look like for you?) when you take your photo and write up your reflection. (Each individual days reflection should be about 200 words).
Please arrange the five days worth of photos and reflections like diary entries in one document. Each days reflection should be about 200 words and can be formatted using bullet points or as a running text, depending on your preferences.

Taiwanese New Wave
Describe the development of Taiwanese cinema that led up to the emergence of the Taiwanese New Wave directors in the early 1980s. 1 point

What was the biggest debate in the arts (including cinema) in Taiwan during the 1980s? 1 point

Describe the style and subject matter that has come to characterize films associated with the Taiwanese New Wave. 1 point

Give one example of a scene or sequence in Taipei Story in which director Edward Yang uses the urban environment to symbolize a characters inner thoughts or feelings through cinematography. 2 points

New Iranian Cinema
Describe the different kinds of cinema present in Iran before the revolution in 1978. 1 point

What strategies did directors adopt to navigate the new censorship rules following the Iranian revolution? 1 point

What changes happened in the 1980s that gave more support to filmmakers in Iran? 1 point

How does the director Abbas Kiarostami blur fact and fiction in the film Close-Up? Use at least two examples from the film in your answer. 2 points

Dogme 95
What were the major changes that happened in the Danish film industry in the 1980s and 90s? 1 point

What events and debates in the international cinema community during the 1990s were the Dogme filmmakers influenced by, and how was their manifesto first received? 1 point

In the Vow of Chastity manifesto, who did the Dogme group align themselves with and how was the manifesto different from other manifestos that had gone before? 1 point

What was the role of digital technologies in producing Dogme films? 1 point
 
How does the camerawork in the film The Celebration construct a feeling of realism while also intensifying the content of a particular scene or sequence? Use two examples in your response. 2 points

Hong Kong New Waves
What factors can contribute to a film being regarded as transnational? 1 point

Why did the studio Golden Harvest become so powerful in the industry? 1 point

What was the role of TV in the emergence of the first and second Hong Kong New Waves? 1 point

What factors contributed to the decline of the film industry in Hong Kong through the 1990s? 1 point

Thinking back to chapters 6-10 in Give me liberty 5th edition by Eric Foner, analyze Americas policies toward Indians from the Washington administration through the removal of Indians from the southeastern states in the 1830s and early 1840s. What ideas and policies about Indians remained the same? Which changed? Why? (The “why” is the analysis! Be sure to write an argumentative thesis and to analyze the historical details to support that argument.

1) adequate length (approximately 150 words)

2) clarity and good writing

3) addressing the original prompt and the student response

4) including an in-text citation (to either assigned or extra material must use a proper citation format) – The citation should come from course readings, films, or outside sources (Prof Douglas’s lessons don’t count).

Example (author, page number)

5) including a question you are left with after reading your peers’ response

Taiwanese New Wave
Describe the development of Taiwanese cinema that led up to the emergence of the Taiwanese New Wave directors in the early 1980s. 1 point

What was the biggest debate in the arts (including cinema) in Taiwan during the 1980s? 1 point

Describe the style and subject matter that has come to characterize films associated with the Taiwanese New Wave. 1 point

Give one example of a scene or sequence in Taipei Story in which director Edward Yang uses the urban environment to symbolize a characters inner thoughts or feelings through cinematography. 2 points

New Iranian Cinema
Describe the different kinds of cinema present in Iran before the revolution in 1978. 1 point

What strategies did directors adopt to navigate the new censorship rules following the Iranian revolution? 1 point

What changes happened in the 1980s that gave more support to filmmakers in Iran? 1 point

How does the director Abbas Kiarostami blur fact and fiction in the film Close-Up? Use at least two examples from the film in your answer. 2 points

Dogme 95
What were the major changes that happened in the Danish film industry in the 1980s and 90s? 1 point

What events and debates in the international cinema community during the 1990s were the Dogme filmmakers influenced by, and how was their manifesto first received? 1 point

In the Vow of Chastity manifesto, who did the Dogme group align themselves with and how was the manifesto different from other manifestos that had gone before? 1 point

What was the role of digital technologies in producing Dogme films? 1 point
 
How does the camerawork in the film The Celebration construct a feeling of realism while also intensifying the content of a particular scene or sequence? Use two examples in your response. 2 points

Hong Kong New Waves
What factors can contribute to a film being regarded as transnational? 1 point

Why did the studio Golden Harvest become so powerful in the industry? 1 point

What was the role of TV in the emergence of the first and second Hong Kong New Waves? 1 point

What factors contributed to the decline of the film industry in Hong Kong through the 1990s? 1 point

Using your Potter & Perry, Claywell and Lweis textbook and information from the Texas Board of Nursing, answer the following questions.  Make sure to address all 3 questions.
You are the RN caring for an elderly woman who has suffered a hip fracture. The charge nurse RN has been called to the room of another patient in respiratory distress.  You discover that the PICC line in your patient has become dislodged. The woman’s daughter, who us visiting and is also an RN, insists that you remove the PICC line immediately and insert and IV line.  Suddenly a code is called. The LVN in the room with you tells you that she has experience with both procedures.
1. What would you do and why?
Locate your state nurse practice act (NPA) and read the educational requirements and the scope of practice for the LPN/LVN and the RN. Then:
2. Write your understanding of your scope of practice as an LVN
3. Relate your understanding of your future scope of practice as an RN
Make sure to include Cover Page and Referwnce page. No abstract is needed.
APA format for in’text citations
You will also need to include the reference for textbook and Texas BON at the bottom

Please scroll and contribute at least 2 posts to this Discussion Board on at least 2 distinct questions threads. Each post will be given points for the following:

1) adequate length (approximately 250 words)

2) clarity and good writing

3) including a specific example

4) including an in-text citation (to either assigned or extra material must use a proper citation format)

*** if you pull from an outside source you must include a bibliographic reference AND an in-text citation

5) including a question that you are left with.

To receive full credit, be sure to add something new to the thread and answer the question directly.

1. Why does Harris say that the word “race” does not really describe difference among human beings?

2. What are the main reasons, according to Gould, that brain size (or other qualities like weight, foramen magnum location, etc.) cannot be correlated to race or gender?