Directions
Provide in-depth answers to the questions below. Final papers should be 1600-3200 words long. This is usually about four to six pages long, single-spaced; however you are held to the word count not number of pages. Longer is just fine. Once you start writing you will find it comes easier and faster and you will probably end up writing more than 1600 words. Unlike the homework, do not insert your text into this document and then submit it. You can either answer each question individually (i.e. section heading, then your text), or have the paper flow as a whole.

Many of these questions have already been explored or answered by you in the homework, so you will most likely be reusing some of the text from the homework. However, as the semester has progressed, you may have gained more insights into yourself from readings, lectures, reflections, and/or exercises, so you may end up revising or adding to what you wrote in the homework. You might also revise the text from the homework so it flows better in the paper. You should also check Blackboard to see if I had any comments or corrections. It might also help to occasionally check out the ICC in One Page handout on BB.

The best papers are not written in one sitting but rather developed in separate sessions. You might even find yourself jotting notes/emails to yourself during the day with thoughts, notes, observations, etc.

1. What is your familys cultural inheritance? (9 pts)
Describe historical experiences, which, even if nearly forgotten, still directly or indirectly influence values, thoughts, feelings, and behavior in your family of origin. Consider immigrant beginnings and migration history, and/or critical past experiences or events. Think of institutions, religious and other affiliations, socio-economic class memberships and/or events that were or are critical in shaping your family. [not in HW]

2. What was your socialization in terms of place & family of origin? (9 pts)
a) Where did you grow up? What kind of a place/community was it (define that however you wish)? How do you think that influenced you culturally? [not in HW]

b) Describe a few values, beliefs, norms, or worldviews that were important as you were growing up, giving examples if you can. How were they taught and reinforced? Which ones were taught explicitly (spoken) and which were taught implicitly (unspoken)? [not in HW]

3. What are some other experiences that shaped who you are culturally? (9 pts)
a) What non-family groups or individuals were very important in shaping you, from childhood through today? This could be from interactions or time spent with friends, at a job or jobs, a sports team, club, school, or neighborhood, children you played with, or personal relationships that were important in shaping who you are. [not in HW]
b) Have your cultural values, worldview, or behaviors changed from your original programming? How and when did these changes happen? [not in HW]

4. Social and Personal Identities (8 pts)
Take a look at the identity wheel you created in class. It has your social identities as the spokes, and your personal identities inside the circle in the middle. The next four questions relate to your social and personal identities

a) Take a look at the identity wheel you created in class. Which identity are you most comfortable with? Why? [HW #5]

b) Take a look at the identity wheel you created in class. Which identity are you least comfortable with? Why? [HW #5]

c) Take a look at the identity wheel you created in class. Which personal identity (in the inside circle) are you most proud of? Why? [HW #5]
d) What have you learned about your own identity, as a whole or in parts? How can this help you when encountering others whose identities may be different from you?. [HW #5]

5. What are your preferred communication styles? (5 pts)
a) Discuss two of your preferred verbal communication styles (i.e. direct/indirect, linear/circular, attached/detached, etc. What does this mean in terms of how do you do communication in the world??  [HW #3, see also the handout on communication styles].

b) What are some of your nonverbal communication patterns or preferences (i.e. personal space, voice volume, expressiveness/use of gestures, cultural display rules, etc.)? [HW #4].

6. Conflict Styles (5 pts)
a) Discuss your primary and secondary conflict style(s). [HW #8]

b) Describe and then analyze a conflict or difficult situation (intercultural or not) that you had with someone else, preferably with someone very different from you in some way, or when verbal communication, language and/or nonverbal communication issues played a role. Make sure to cover what happened, who said/did what, and the outcome. [HW #8] Make sure to answer the following questions
1. What happened? Who was involved, who said/did what? What was the outcome?
2. What would you say the conflict was about: Content, Relational, or Identity-based goals?
3. What conflict styles were you and the other person using?
4. What roles did dignity and saving face play in the conflict, from each persons point of view?
5. In hindsight, what might you or the other person have done differently?

7. Cultural approaches to the world (12 pts)
a) Discuss how do you approach the world in terms of Collectivist/Individualist orientation? What does this mean in terms of your behavior and values? [part in HW #2]

b) Discuss how do you approach the world in terms of Hofstedes Uncertainty Avoidance orientation? What does this mean in terms of your behavior and values? [not in HW]

8. Worldview (8 pts)
Answer either question A or B. [HW #8]

A.For those with a current or prior religious tradition:

For the religion in which you were raised, or one you currently practice (one you have strong ties to), choose a favorite ritual or practice (this can be done daily, weekly, or annually). 

1.Describe what happens and why it happens (its purpose).

2.Discuss why you like this ritual/practicehow it makes you feel.

B. For those without a current or prior religious tradition, or if you would just rather answer this question:
1. If you were not raised in a religious tradition, or dont currently practice a religion, discuss your current worldviewhow you see the universe, the purpose or nature of humanity, the nature of good/evil, and something humans do that inspires you. You might also discuss how you came to believe what you believe today.

9. Encountering difference (25 pts)
a) Growing up, what in-groups and out-groups were defined in your family and membership groups? Were any biases or prejudices present, i.e. passed on from family or other identity groups you are a member of? What stereotypes of other people were shared or discussed? [not in HW]

b) Write about your first awareness of differences in color, identity, ethnicity, religion, or cultural backgroundthe first time you realized that people could be different from you. [not in HW]

c) When you were younger, did you go to school with or have friends or family that were different?  What about now? [not in HW]

d) Take a look at your identity wheel again. Describe a time when one of your social identities (not the center, personal stuff) was challenged, heightened, denigrated (put down), or made the situation uncomfortable, i.e. when it started thumping or when you were bullied for one of your identities. It could also be a time when all of a sudden you realized were in the out-group. [HW #6]

e) Describe when a stereotype or negative image you had of another identity group was shattered and you saw the humanity of the other person/people (Bennetts Minimization phase). In other words, when a section of your bias windshield was wiped off. This can be from an experience in-person, or an insight that resulted from interacting with some form of media (television, news articles, documentaries, online interactions, heck, even movies/fiction). [Not in HW]

10. What are your current assets in intercultural competence, and where is there room for growth? (9 pts)
a. Discuss three skills or qualities of yours that you currently have that are important to intercultural competence. [Not in HW]

b. Discuss three intercultural competence skills or qualities that you think could be developed or improved within yourself. [Not in HW]

c. How has your understanding of yourself and culture changed over the course of the semester, and/or as you wrote this paper? [Not in HW]

11. (Extra Credit, up to 5 pts)
Looking ahead, how could you use your intercultural communication expertise in your current or intended career? How could ICC skills help you? Be as specific as possible. Imagining situations is ok.

Use the following sections as a starting point to writing your review paper on the play “On The Exhale” written by Martin Zimmerman, which needs to describe, interpret, analyze and evaluate different theatrical elements of the play and the production. Although you do not need to answer all of the questions, your review should address each theatrical element of the play and the production by discussing a limited number of relevant points for each section.
Introduction
What is the plays title? Who is the playwright? What else have they written?
Is the play performed in its original version, or has it been adapted? Is it
performed in its entirety, or has it been abridged?
Is this the first performance of the play? If not, is there anything historically
significant about its first or earlier productions?
What is the name of the theatre where the play was performed? Is there anything
important about the theatre space?
Who is the director? What other significant work have they directed? Who is the
production company? What other significant work have they produced?
What is your overall impression of the play? What is your overall impression of
production?
The Play
What theatrical genre is the play?
What themes and issues does the play explore?
What dramatic plot structure does it use?
Who are the main characters?
What happens in the play?
What style is the play? How does it adhere to dramatic conventions of realism and
non-realism?
If the play was devised, collaborative or experimental then how does the text
follow these conventions? How does it break from them?
The production
How did each of the following theatrical elements work within the production:
Directing
1. Did all the elements of the production seem to be unified and to fit together seamlessly? How was this reflected, in particular, in the visual elementsthe scenery, costumes, and lighting; or in the sound, video, or projection design?
2. How did the director move the actors around onstage? Were there any moments when you felt that such movement was particularly effective or ineffective?
3. Were entrances and exits smooth?
4. Did the pace or rhythm of the production seem right for the type of play you are
attending? Did it drag or move swiftly? Did one scene follow another quickly, or
were there long pauses or interruptions?
5. Did there seem to be a unifying idea or concept behind the production? If so, how
was it reflected in the production?
6. How were we, as audience members, able to see it embodied in the production?
Was it reflected in striking images or in the way the actors developed their performances?
Acting
If there were performers you did not like, identify them and explain why you did not like them. Give concrete examples to explain why their performances were less successful. (As you discuss this, be sure to separate the performer from the role. For example, you can dislike a character but admire the performance.)
Acting is more than a collection of individual performances. The entire company needs to work as a unit (as noted earlier, this is sometimes called ensemble): each member of the cast must not only perform her or his own role but also support the other performers.
Were the performers believable, given the requirements of the play? If they were
believable, how did they seem to accomplish this? If they were not believable,
what occurred to impair or destroy their believability?
Identify the performers you considered most successful. Citing specifics from the
production, note what they did well: particular gestures, lines, or moments. For
example, how did the performers voice sound? How did she or he interpret the
role?
Scenery and Costume Design
What information was conveyed by the scenery about time, place, characters, and situation? How was this information conveyed to you?
What was the overall atmosphere of the setting? How was that atmosphere created?
Were there many scene changes? Were they handled effectively? Could you tell how they were done?
Lighting and Sound
What information was conveyed by the lighting about time, place, characters, and
situation? How was this information conveyed to you?
Were there any lighting special effects? What were they? How were they used to
support the play?
Were sound effects used in the production? How did they help support your
understanding of the play?
Was there original music? How did it help set the mood or help you better
understand the action of the play?
The space
What type of space was used for the performance?
The Audience
What was the composition of the audience? How did this affect the atmosphere of the performance?
What noticeable responses did the audience have to the performance?
Conclusion
Summarize your main points about the production. What is your overall
evaluation of the production?
How successful was the production at realizing the playwrights intentions?

Assessment 2

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Research Proposal
Details
Attempt 1Available
Attempt 2NotAvailable
Attempt 3NotAvailable
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Overview
Create a research proposal that provides a detailed plan for your research study that states your hypothesis, reports on sampling methods, and identifies how the data will be analyzed to answer the research question.

By successfully completing this assessment, you will demonstrate your proficiency in the following course competencies and assessment criteria:

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Resources
Selecting Your Sample
Selecting your sample is the next crucial component of designing your proposal. Use the following resources to help you.

Salkind, N. J. (2017). Exploring research (9th ed.). Boston, MA: Pearson. Available in the courseroom via the VitalSource Bookshelf link.
Chapter 4, “Sampling and Generalizability,” pages 7381.
This chapter explains populations, samples, and sample size.
Complete The Sample in the Learn tab of the Quick Guide of Academic Writer to learn about the sample of research participants, different types of sampling methods, assessing sampling bias, and select an appropriate sample size.

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Assessment Instructions
Preparation
For this research, you will use the archival data from the GSS Data Explorer website to develop a research research question, develop a hypothesis, and analyze the data to draw conclusions.

Navigate to the GSS website.

GSS Data Explorer (2019). Retrieved from https://gssdataexplorer.norc.org/
You will complete the following steps in the GSS website. For a step-by-step guide, refer to the GSS Data Explorer Instructions [PDF] or the GSS Data Explorer Instructions video.

Create an account and add your two chosen variables to your cart.
Be sure that those variables are what you selected for your Literature Review.
Create a project, label it 4600_Last name, and save it.
Download the data by exporting it to Microsoft Excel.
Review the data available for each variable.
Once you have chosen your variables, use them for the entire course and use the resources provided to craft your study.

Instructions
In the next assessment, you will start to conduct your research study. We conduct research studies to expand our knowledge on how human behavior in the world is evolving. To conduct an effective study, we need to understand theories of development as they relate to our current environment and society.

The first step, however, is to create a research proposal that provides the detailed plan for your study. Be sure to use the Research Proposal Template [DOC], as it provides context and wording that you should use to help you clearly explain your main points. By using the template, you will cover all of the points below.

Insert your revised literature review in the Literature Review section in the template.
Operationally define the variables that you are using in your study.
State your hypothesis for your study.
Report on the method you will use to sample your participants.
You may want to look at the GSS website to see how participants were found.
Use your notes from the media piece to guide your sampling method selection.
Explain the method you will use to collect and analyze your data.
You may want to look at the GSS site to see how data was found.
Use your notes from the media piece to guide your sampling method selection.
Choose the measurement that matches your study.
Review the template for suggested language.
Discuss how the measurement increases the reliability and validity of the study.
Explain your procedure based on research design you chose.
Submission Requirements
Submit your proposal as your deliverable for assessment.

Note: Your instructor may also use the Writing Feedback Tool to provide feedback on your writing. In the tool, click the linked resources for helpful writing information.

Research Proposal Scoring Guide
VIEW SCORING GUIDE
Use the scoring guide to enhance your learning.
How to use the scoring guide
SUBMIT ASSESSMENT

This button will take you to the next available assessment attempt tab, where you will be able to submit your assessment.

You have been assigned to teach a high school health class. Create a lesson on male and female reproductive anatomy and physiology. Be sure to highlight and distinguish the differences and similarities between the male and female reproductive systems.

Prepare a lesson on male and female reproductive anatomy and physiology. Include the following in the lesson:

The anatomy of both sexes.
The physiology of the anatomical parts for both sexes.
Highlight similarities and differences between the sexes in terms of anatomy and physiology.

What is your opinion about each article, write 3 separate short paragraphs about each article mentioned below. Make sure each article has a short paragraph of your opinion.

1: https://www.nytimes.com/2020/09/24/realestate/brooklyn-real-estate-sales.html?

2:
https://www.vox.com/the-goods/21300939/coronavirus-real-estate-housing-sales

3:
https://www.nytimes.com/2020/11/13/realestate/real-estate-coronavirus.html

This answer these question:

How has  Covid-19 changed American history? How has it impacted your personal life.  If so explain how? Do you think your city or nation will rebound from this epidemic?

Please read these links before you write your response;

https://www.nytimes.com/interactive/2020/05/15/upshot/who-left-new-york-coronavirus.html

https://www.foxbusiness.com/lifestyle/new-york-city-wealth-decline-rich-skip-town

https://thehill.com/opinion/finance/514352-new-york-city-likely-in-trouble-for-another-generation-or-even-more

Watch Ben Godacre’s TedTalk, “Battling Bad Science.” (At least 125 words for each answer)
https://www.ted.com/talks/ben_goldacre_battling_bad_science

1. In your own words, explain the connection between what we are learning about information literacy and what Godacre is talking about? (It’s there, promise).

2. Find and explain your own example of research being “spun” or twisted to serve a purpose. What is the research, how was it appropriated, and was it successful?

For example, Goldacre mentions in an interview that he was initially drawn to this field of inquiry by the MMR/Wakefield scare, where Dr. Andrew Wakefield published a study that claimed to link the measles vaccine to autism in children. It was discovered later that the study was not only flawed, but parts of it were based on lies about the condition of the children participating. In addition, Wakefield was being paid by a law firm representing parents who were engaged in a civil lawsuit, AND he had his own competing vaccine about to be released on the market. Thousands of children died of measles in the following years in large part because their parents were afraid to immunize them.

Somatic Learning and Spirituality

Everyone can name times when the body communicates to us, whether it be a panic attack brought on by stress, a ‘gut’ reaction to a racist comment, an upset stomach as we contemplate complaining to a teacher or boss, or being drained and exhausted from an intense encounter. So why have we tended to ignore the body as a site for learning? The main reason seems to be the Western privileging of mind over body.

For the final research project, students have the option of completing a final research project or a final paper. If you choose to write the final paper, undergraduates will compose a 2500/3000 words research paper that further explores one of the course themes or a new topic that is chosen with consultation with the professor. The project contains a deeper reflection on how religion influences the social construction of race and national identity. It can take on a variety of forms, e.g, paper, presentation, film, interview. However, there MUST be a written research component to the project that is at least 2500/3500 words for the graduate students.
MUST be cited, quotation marks correct grammar

1. What are the advantages and disadvantages of having an internal change agent rather than an external change agent? (answer in 5-7 sentences)
2. Of the three major leadership theories the LPC theory, the path-goal theory, and Vrooms decision tree approach which is the most comprehensive?  Which is the narrowest?  Which has the most practical value? (answer in 5-7 sentences)
3. Is most organization change forced on the organization by external factors or fostered from within?  Explain. (answer in 5-7 sentences)